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WOODSTOCK

Hey JoeJimi Hendrix
00:00

1969

"Woodstock was not a concert. This was a coming together..... We came together in Bethel. Yes like Bethlehem, this was a meeting of the essence of the thing."

             -Tim Leary (Levy)

      Woodstock was a concert held in Bethel, New York in 1969. People who advertised for this music festival expected only around 200,000 people to show up for the entirety of the festival; however, "nearly half a million people converged on the concert site" (History.com). What had really made Woodstock so popular was the emergence of the counterculture. After the "baby boomers" (babies born after WWII) were kicked out of their involvement in the Civil Rights Movement due to the emergence of "black nationalism", these late teens and early college kids decided to change the world by protesting the Vietnam War and America's involvement with other countries. The perfect place for the hippies to express their relativistic ideas and have peace with each other presented itself at Woodstock (Levy, 278).

     Emerging alone with the counterculture was rock n' roll. Rock's "driving rhythms, its undisguised sensuality, and its often harsh and angry tone" all made it the perfect machine for expressing the hippies' opinions about the political and social protests in the 1960s (Brinkley, 792). With the massive crowd of nearly 400,000 people, advertisers who ran Woodstock realized that they would not be able to tell who was coming in and out of the ground so they opened the festival up to everyone for free (History.com). Because the amount of people was so unexpected, helicopters were used to fly in provisions such as food, medical supplies, and even many of the musicians themselves (History.com). The whole festival lasted three days long, and during that time many musicians paved their way to fame (Brinkley, 792). Performers included Richie Havens, Janis Joplin, Arlo Guthrie, Joe McDonald, Creedence Clearwater Revival, The Grateful Dead, Jimi Hendrix, Santana, and many more (Levy, 279). 

     Although there were many types of people who attended the festival, because hippies were the most prominent, they influenced the style of the music (History.com). During performances, many hippies were naked or halfway there, and/or were experimenting with drugs like cocaine, pot, and LSDs. Many attendees later recollected that they really couldn't recollect anything at all, except that everyone was feeding off of each other's energy, allowing simply for peace, music, and people. One attendee thought of Woodstock as a time of "social changes in human freedom and expression....we learned not to be ashamed of our bodies in the nude, we smoked grass to feed our horizons with the music, we spent time with our kids and pets...it showed to the world that all was not just violence and hatred...it is LIFE!" (Levy, 279). The energy everyone was feeling was cultivated by the anti-war style of music the performers played, in agreement with the hippie protests against the Vietnam War (Brinkley, 792). Many songs were anti-war, including "Hey Joe" by Jimi Hendri and "Soul Sacrifice" by Santana.

     The festival at Woodstock was threatened by the combination of gross facilities, large crowds, and massive downpours of rain that resulted in muddy grounds (Brinkley, 792). Nevertheless, "all attendees remained peaceful and harmonious" (Brinkley, 792).

     Leaders of the counterculture also spoke to the crowds with extreme emotion, talking about how Woodstock represents the beginning of a new culture filled with youth and their relativistic ideals, sometimes calling it the "Woodstock Nation" (Levy, 280). Hippies rejected many ideals from society and replaced them with ideals such as mysticism, hedonism, and the urge for peace, love, and anti-war protests.

     What made Woodstock unique was that even amidst struggles and complications, these hippies, whose main purpose was rioting to stop chaos in Vietnam, remained peaceful during the entirety of the concert (History.com). Many saw this concert as the last "hurrah" before they dispersed like some of the counterculture ideas when the U.S. pulled out of Vietnam. Their mentality was essentially to live like there is no tomorrow; do whatever feels good without thinking a second about the consequences of your actions. I mean, who needs thinking when you have LSDs? This was the their mentality, and I'm definitely not saying that I agree with it; I'm simply portraying what they thought-or rather, their lack of thought. 

     Also, there was another concert held about four months later at the Altamount racetrack, which revealed the darker side of the youth culture (Brinkley, 792). This concert became a "brutal and violent event where some died from overdoses while others were stabbed by motorcycle gangs" (Brinkley, 792).  The epitome of the counterculture lifestyle and ideals were found in the festivities at Woodstock.

     The New York Daily News had many working class readers who were not at all sympathetic towards the hippies at Woodstock because many of them had gotten out of being drafted by stalling their way through college. They ran a front-page story on the concert even as "heavy rains turned the concert site into a sea of mud" (Brinkley, 791).

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